![]() ![]() The second thing you’ll notice is that this silicon-powered circuit is quite the chameleon, all thanks to an understated Tone control. Featuring three white knobs-Volume, Tone and Fuzz-atop a (heavily built) fire engine red box, the first thing you’ll notice is that this pedal would be exceptionally easy to identify on a dark stage. Hailing from the taiga forests and icy climes of Finland, Mad Professor’s Fire Red Fuzz brings some European civility to the down and dirty world of fuzz boxes. Recorded with an Ampeg AMG100 and a modified Epiphone Valve Junior stack featuring an Eminence Red Coat 12”, through a Shure SM57 and into a ProSonus Audiobox interface. Volume at 10:00, Tone at 4:00, Fuzz at 1:30 a biting lead fuzz tone. Volume at 10:00, Tone at 9:00, Fuzz at 4:00 a deep, thick wall of fuzz. ![]() O’Brien Smith, Dirk Wacker, Gary Guzman, Jordan Wagner, Dan Berkowitz Pedals Reviewed:īy Chris Burgess, Kenny Rardin, Michael Ross, Sean So whether you want to replicate Rory Gallagher’s Rangemaster tone on your Strat, achieve that luscious Leslie swirl without the back brace, or simply add some subtle compression to your signal, chances are you’ll find a pedal that will be at home on your board. We also rounded up nine stomp-happy tone junkies to test these pedals out-watch for their initials at the end of each review. So it was only fitting that we round up as many pedals as we can possibly fit in these pages for reviews. Perhaps it was the recent record set by the world’s largest pedalboard, or just the fact that there’s such a wealth of different pedals out there, but (as you may have noticed) PG has gone pedal crazy this month.
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